This is a longer flight around the central part of Long Khanh in Dong Nai, Vietnam where my wife’s from. It was shot in December 2015 on my DJI Phantom 3 Professional and edited in DaVinci Resolve 12. The flight itself was set up using Litchi on my Nexus 9 tablet.
I was up at my friend’s house this weekend to pick up some paperwork. I had brought my drone along and ended up showing him how it works. The demo flight around his neighborhood is the result.
A short 360 degree orbit of Karaoke 10 in Long Khanh, Dong Nai.
At the request of a viewer, this tutorial shows how to use the free FastStone Image Viewer program to easily burn any text you can think of into your images automatically. You can do things like burning the dates into the image, sequential image numbers, descriptions, EXIF data info, etc. The possibilities are endless and with the flexibility you get with FastStone Image Viewer, it’s the best around for batch processing a large number of images.
This is a test of footage coming out of the Olympus E-M5 Mark II using the Flat Picture Profile for videos. You get really good results using this profile but it’s not the same as using a log profile to capture your footage. Some of you may wonder why you want to shoot in Log or a Flat profile since it does look so flat and unattractive. But’s that exactly the reason. A Log or Flat profile preserves as much range as possible between the highs and shadows, which you can then recover in post production. This video shows what’s possible shooting with this Flat profile from Olympus.
In this video I show you how to grade your drone videos from start to finish using the awesome (and free!) DaVinci Resolve 12. It’s a full fledge non-linear video editor with all the editing capabilities you need plus the best in class color grading/color correction of any application. In this video, I take you from start to finish. If you need more advance editing, you can always do the edits in Adobe Premiere or Final Cut Pro X and then round-trip it to DaVinci Resolve for the color work, but that’s beyond the scope of this tutorial.
Starting from Mt. Soledad, I took a quick flight of the surrounding La Jolla neighborhood. It was a gorgeous day out and the video definitely shows it. This is an area of multi-million dollar houses with some great views of the ocean & surrounding areas. Many of the houses are custom built so they had an interesting look to them as well!
I went up to Mt. Soledad in La Jolla this weekend and had a chance to grab an orbit video of the monument up there. It was such a lovely day where you could see for miles and made for some very dramatic videos.
So I’m impressed with the video quality & colors coming out of MoviePro on the iPhone 6 Plus. But I just don’t think it’s ready for professional use. There’s just something about the video stabilization (or lack thereof) that makes it unusable. I’ve tried to stabilize in post production and it works to an extent. In some situation it may even be usable but there’s something of a jello effect from the stabilized videos that makes it unnerving to watch. On the other hand, colors do grade very well. I’m thinking that apps like MoviePro and Filmic are doing something with the sensor that just makes it a lot more wobbly and unnerving. Until they actually fix this issue, it’s back to the stock camera app for videos for me.
Here are the results of my video stabilization test using a variety of methods, including hardware base via Panasonic’s Mega O.I.S. and post production stabilization using the three most popular video editors. The result for me is that they’re all pretty comparable and can create usable videos but nothing that would rival a Steadicam or gimbal type solution. If you need that kind of smooth footage, it’s best to invest in a hardware solution.